The art studio where my son takes art classes, Egg in Nest Studio, always celebrates National Poetry Month with an art exhibition and live poetry reading/performance event that celebrates the intersection between words and arts. The students write poems, create art pieces based on those poems, exhibit their art in the Halle Cultural Arts Center in downtown Apex, then read their poems to an audience, appearing onstage with professionals in various art forms who also discuss and display their talents. It is always a creative and inspiring event, and brings greater depth and understanding to the students' art studies.
This year, my son had two pieces in the show.
I really liked both of the them, especially because they were a departure from his typical techniques and demonstrated some of the ways that his wonderful teacher, Miss Jenny, is encouraging him to grow and stretch as an artist. On the other hand, they also contain elements of his inimitable style.
This was his first piece, which was based on the poem he wrote that was entitled, "The Saga of the Sproing-Boing," where he was experimenting with the sounds of invented vocabulary:
The second one had a two word poem written into the picture. The poem is "Extinction Distinction"... or maybe "Distinction Extinction"--he never would tell me.
Of course, my photos don't do the artwork justice. If you are in the vecinity of downtown Apex before the exhibit closes on May 5, go check them out in person at the Halle Cultural Arts Center (at the intersection of 10-10/Center Street and Salem Street).
Here is the artist showing the pictures to his father:
This past Sunday was the live event called ForWord. There, each participating got to read his or her poem with comments and encouragement from Miss Jenny:
But the student readings were interspersed with live performances and commentary on the connection between words and other art forms by a local music group, Jack the Radio:
a local grafitti artist, Blake Burnette:
poet and NC State writing professor, Chris Tonell:
and dancer Marie Garlock:
All in all, it's quite a big event, which Miss Jenny and her hard-working assistant, Miss Amanda, put on AT NO CHARGE for the benefit of the students--just one of the perks of taking class at Egg in Nest Studio:
Of course, the greatest perk of taking classes there is that each week the kids get to work with Miss Jenny, who is not only a wonderful and creative artist in her own right, but an intuitive and inspiring teacher who loves all her students--just like they love her (although some demonstrate it more than others):
What more could you want from the person teaching your children?
Showing posts with label dance. Show all posts
Showing posts with label dance. Show all posts
Tuesday, April 17, 2012
Sunday, October 23, 2011
Curriculum Resource: Cary Diwali Festival
For those of us who live in communities large enough to host such things, a great supplement to the formal curriculum is ethnic festivals or celebrations that are open to the public. In many cases, being in a large gathering and celebration of different subpopulations of people unlike our own is the next best thing to foreign travel.
We took advantage of such a learning experience this weekend when we went to the Cary Diwali Festival. Diwali, the festival of lights in Hinduism, is probably the largest religious celebration in India. For many years now, the Town of Cary and an Indian civic organization, Hum Sub, have organized a free public festival around the time of Diwali, the exact dates of which change from year to year (it is based on a lunar calendar), but always takes place in the fall. The Research Triangle area has a large population of people whose ancestry came from India, and this festival has grown to be the largest gathering of Indians in the Southeast (or, at least, that's what the announcer on stage said).
It takes place in the Koka Booth Amphitheater (the same site as our summer Symphony trips, which I have discussed before). The outskirts of the Amphitheater are lined with booths, some offering generic services such as health care, banking, or cell phone service, but others offering tempting morsels of food or gorgeous displays of colorful saris and other Indian clothing and their highly bling-y gold jewelry. There are also some educational booths, and some raising money for Indian-based charities, many based around improving schools in poor areas of that highly-crowded nation.
All day long, however, the stage is filled with performers in flashing Indian garb who are dancing, singing, and playing instruments. Most are a myriad of local dance groups of all ages and both sexes (although I only saw one gender perform at a time; however, perhaps there are some mixed gender groups that appeared after we left). By the evening, however, they bring in a professional singer or dance group that seems to be well known among the native population, although I have never heard of them (nor do we ever stay that late to see them).
While we don't go every year, I wanted to make sure we did drop by this year since we are studying Hinduism right now in World Religions. And I think it did give my son a better visceral understanding of the vibrant and diverse culture of that fascinating country, India, as well as how Indians in this country are adapting and merging their cultures. For example, many of the performances seemed like they were introducing more Western musical influences, such as hip hop, into their traditional Indian music and dance. My favorite trans-cultural show, however, was Bollywood meets Saturday Night Fever, in which a number of pint-sized Travoltas sang in Hindi (or some language I didn't understand), until it came to the chorus, in which the word "Disco" was exclaimed multiple times, all the while with the young boys doing the classic "finger touches hip, then swings and points above the opposite shoulder" that was the rage during Disco-mania in the US.
The following are a few photos to capture the color and action of this annual festival. If you live in the area and have never been, you should definitely check it out some year.
We took advantage of such a learning experience this weekend when we went to the Cary Diwali Festival. Diwali, the festival of lights in Hinduism, is probably the largest religious celebration in India. For many years now, the Town of Cary and an Indian civic organization, Hum Sub, have organized a free public festival around the time of Diwali, the exact dates of which change from year to year (it is based on a lunar calendar), but always takes place in the fall. The Research Triangle area has a large population of people whose ancestry came from India, and this festival has grown to be the largest gathering of Indians in the Southeast (or, at least, that's what the announcer on stage said).
It takes place in the Koka Booth Amphitheater (the same site as our summer Symphony trips, which I have discussed before). The outskirts of the Amphitheater are lined with booths, some offering generic services such as health care, banking, or cell phone service, but others offering tempting morsels of food or gorgeous displays of colorful saris and other Indian clothing and their highly bling-y gold jewelry. There are also some educational booths, and some raising money for Indian-based charities, many based around improving schools in poor areas of that highly-crowded nation.
All day long, however, the stage is filled with performers in flashing Indian garb who are dancing, singing, and playing instruments. Most are a myriad of local dance groups of all ages and both sexes (although I only saw one gender perform at a time; however, perhaps there are some mixed gender groups that appeared after we left). By the evening, however, they bring in a professional singer or dance group that seems to be well known among the native population, although I have never heard of them (nor do we ever stay that late to see them).
While we don't go every year, I wanted to make sure we did drop by this year since we are studying Hinduism right now in World Religions. And I think it did give my son a better visceral understanding of the vibrant and diverse culture of that fascinating country, India, as well as how Indians in this country are adapting and merging their cultures. For example, many of the performances seemed like they were introducing more Western musical influences, such as hip hop, into their traditional Indian music and dance. My favorite trans-cultural show, however, was Bollywood meets Saturday Night Fever, in which a number of pint-sized Travoltas sang in Hindi (or some language I didn't understand), until it came to the chorus, in which the word "Disco" was exclaimed multiple times, all the while with the young boys doing the classic "finger touches hip, then swings and points above the opposite shoulder" that was the rage during Disco-mania in the US.
The following are a few photos to capture the color and action of this annual festival. If you live in the area and have never been, you should definitely check it out some year.
Labels:
curriculum resource,
dance,
festival,
Hinduism,
multi-culturalism,
music,
world religion
Friday, November 5, 2010
Happy Guy Fawkes Night!
November 5th is a holiday in England--Guy Fawkes Night. Guy Fawkes was the man who was caught trying to blow up King James 1, the Stuart king from Scotland who was adamently Protestant, and replace him with a Catholic king. The evening is celebrated by building outdoors bonfires, throwing a dummy figure that is supposed to be Guy Fawkes into the fire, and shooting off fireworks.
The Oxford, an English restaurant in downtown Raleigh, was holding a public gathering for Guy Fawkes Night in the street in front of the building as part of the monthly First Friday night tour of the city's art galleries and museums. So we spent the first part of the evening admiring, talking about, and even creating some art, then headed down to the Guy Fawkes celebrations.
So I don't know how authentic it was, but it was fun, it was a beautiful fall night, and it was a good excuse to brush up on our early 17th century British history.
The Oxford, an English restaurant in downtown Raleigh, was holding a public gathering for Guy Fawkes Night in the street in front of the building as part of the monthly First Friday night tour of the city's art galleries and museums. So we spent the first part of the evening admiring, talking about, and even creating some art, then headed down to the Guy Fawkes celebrations.
This version was highly influenced by the movie "V for Vendetta," which features a call to revolution on a November 5th of the future. Many people, including the Guy Fawkes effigy, were wearing the V mask worn by Hugo Weaving in the film. There was also a local band playing classic rock, as well some Cirque du Soleil type fire dancers and gymnasts.
So I don't know how authentic it was, but it was fun, it was a beautiful fall night, and it was a good excuse to brush up on our early 17th century British history.
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